告诉我真相
Дарья Мельникова,Евгений Романцов,帕维尔·普里卢茨内,Елизавета Кононова,Александр Обласов,Григорий Верник
预告
告诉我真相
Дарья Мельникова,Евгений Романцов,帕维尔·普里卢茨内,Елизавета Кононова,Александр Обласов,Григорий Верник
高清版
肌电工情
Kelner Macêdo,Lucas Andrade,Welket Bungué
高清版
果戈里·复仇
帕维尔·杰列维扬科,欧列格·缅希科夫,亚历山大·佩特罗夫,叶夫根尼·斯迪查金
HD中字
北斋漫画
绪形拳,田中裕子,樋口可南子,乙羽信子,西田敏行
720P超清
等到满山红叶时
吴海燕,丁嘉元,何麟,高英,马冠英
高清完整版
青春万岁
张闽,梁彦,秦岭,任冶湘,施天音,邬君梅,蔡国庆
A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art.
Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first: accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.